The recent crisis at the Met has raised so many questions, as has the demise of the NYCO, the near-demise of the San Diego Opera and the Rome Opera’s uncertain future. Are grand, starry opera productions in the style of those high-profile companies still viable in today’s economy and culture? Are they nothing but soulless, overblown spectacle that isn’t worth trying to save? Or are they the very heart and soul of the art form of opera? Read the rest of this entry »